Alex Zucker

a novel by Jáchym Topol (2023, Margellos World Republic of Letters at Yale University Press)

“To have a translator with Zucker’s experience and expertise working with such a complex and at times distractingly off-the-wall novel is a real gift to readers (and critics). [. . .] Topol is clearly concerned about what comes next. [. . .] What kind of Czech Republic, and indeed what kind of planet, is going to be around in the next 20 years? In the next five? And will either of those places be worth living in?” — Los Angeles Review of Books

a novel by Bianca Bellová (2022, Parthian Books)

—Shortlist, EBRD Literature Prize

“The Lake feels less like it takes place in a post-USSR past than it does a post-apocalyptic future of complete climate collapse. Nami’s country might be fiction, but its implications are terrifyingly real.” — Wales Arts Review

essays by philosopher and cultural critic Jan Patočka (2022, Bloomsbury)

“Jan Patočka’s contribution to phenomenology and the philosophy of history mean that he is considered one of the most important philosophers of the 20th century. In this new book of essential Patočka texts, of which the majority have been translated from the original Czech for the first time, readers will experience a general introduction to the key tenets of his philosophy.” — Bloomsbury

a novel by Petra Hůlová (2021, World Editions)

“One part Animal Farm, one part The Handmaid’s Tale, one part A Clockwork Orange, and (maybe) one part Frankenstein, Czech writer Hůlová’s novel dismantles the patriarchy and replaces it with a terrifying alternative.” — Kirkus

a novel by J. R. Pick (2018, Karolinum) 

“In Society for the Prevention of Cruelty to Animals, absurdity and black humor are the very tools of survival, a way through the nightmare. This powerful and moving book helps us make peace with, if not sense of, the unthinkable.” — Los Angeles Review of Books

a novel by Petra Hůlová (2017, Jantar)

—English PEN Translates Award

“Three Plastic Rooms is a frighteningly honest novel — not easy to like, but impossible not to appreciate.” — Los Angeles Review of Books 

a novel by Jáchym Topol (2017, Dalkey Archive Press)

“Angel Station is a seething novel of accumulation, fast, strange, and destructive.” — Full Stop

“A graphic, grungy tale of addiction and consequences.” — Kirkus

a novel by Magdaléna Platzová (2016, Bellevue Literary Press)

—Longlist, International Dublin Literary Award

“. . . Platzová’s ultra-restrained curation of her material, translated with equal restraint and discrimination by Alex Zucker, has excluded every superfluous detail, every hint of preachiness or sentimentality or pat morality. The result is a powerfully distilled meditation on the meaning of freedom, a ferocious complexity lurking beneath its smooth and hypnotically readable surface.” — Words Without Borders

a novel by Tomáš Zmeškal (2016, Margellos World Republic of Letters/Yale University Press)

“Tomáš Zmeškal’s fascinating novel of 2008, here adroitly translated from the Czech by Alex Zucker, plays between these poles of fantasy and bureaucracy, and their different ways of managing human life.” — Times Literary Supplement

a novel by Josef Jedlička (2016, Karolinum Press)

“One of the outstanding works of 1950s Czech literature, Josef Jedlička’s Midway Upon the Journey of Our Life is a book of and out of its time: an expression of disillusionment with the oppressive Stalinism of Czechoslovak Communism, it was first published in a censored version in 1966, and only appeared in full in 1994, after Jedlička’s death and the fall of the Communist regime. This excellent translation by Alex Zucker, elegantly published by Karolínum Press, is its first into English.” — Times Literary Supplement

a novel by Heda Margolius Kovály (2015, Soho Press)

“. . . a remarkable work of art with the intrigue of a spy puzzle, the irony of a political fable, the shrewdness of a novel of manners, and the toughness of a hard-boiled murder mystery.” — Wall Street Journal

a novel by Jáchym Topol (2013, Portobello Books)

—Fiction Longlist, Best Translated Book Award
—Typographical Translation Award
—English PEN Award for Writing in Translation

—Longlist, International IMPAC Dublin Literary Award

“. . . should help to cement Jáchym Topol’s reputation as one of the most original and compelling European voices at work today.” — Times Literary Supplement

a novel by Patrik Ouředník (2011, Dalkey Archive Press)

A pitiless portrait of the often unbridgeable gap between theory and practice, The Opportune Moment, 1855 is another uproarious and unsettling attack on convention by one of literature’s great provocateurs.

a novel by Patrik Ouředník (2010, Dalkey Archive Press)

“. . . a gleeful skewering of the Czech national character and a character-rich, dialogue-sassy send-up colored by a lingering Communist legacy.” — Publishers Weekly

a novel by Petra Hůlová (2009, Northwestern University Press)

—National Translation Award, American Literary Translators Association

“. . . an acutely observed account — compelling despite its grimness — of the lives of its semi-nomadic subjects.” — Times Literary Supplement

a novel by Jáchym Topol (2000, Catbird Press)

—Featured in 1001 Books You Must Read Before You Die

“City Sister Silver is a first novel the way The Tin Drum and Midnight’s Children were first novels—a prodigal astonishment; an emancipation proclamation.” — John Leonard, Newsday

“Readers embarking on City Sister Silver are in for an exhilarating, exasperating journey . . . kaleidoscopic and ethereal, full of motion for its own sake, with many memorable stops along the route.” — Neil Bermel, New York Times Book Review

“Topol’s book is a fervent effort by a post–Cold War writer to break away from the familiar dissident mode of his seniors and to stake out the fresh troubles that freedom and, more to the point, a raw market economy have spawned since the Velvet Revolution.” — Patricia Hampl, Los Angeles Times Book Review

a novella by Jáchym Topol (1995, Petrov; 2011, Albatros Plus)

“A Trip to the Train Station rips the mask off the Golden City, exposing a whore with a beat-up face, ill-fitting high heels and twin addictions to violence and the quick buck. Whichever Prague you’re living in, Topol’s story offers a fascinating taste of a young writer well worth trying.” — Julie Ashley, Prague Post